The Village Voice reviews the scintillating two-person exhibition "Actual Queers Kissing!" at Elliott Templeton Fine Arts, in Chinatown.

In that same issue, Robert Downey, Sr. himself sat down with Jonas Mekas, the Voice ’s expert on (and maker of) underground cinema. During the interview, Mekas muses that perhaps Downey is getting too ...

Having trouble sleeping? Try Bi Gan’s slow cinema experiment, Resurrection. Side effects may include drowsiness, boredom, and increased sense of confusion. Ask your doctor about Bi Gan’s Resurrection ...

The Village Voice reviews an exhibition, “Light Producing Objects,” that offers illumination in the dark days of our times.

A 1963 Village Voice article noted that a new computer system at the Buildings Dept. suffered from a lack of keypunch operators.

The Village Voice notes that the new graphic novel, “Nostalgia,” explores a future featuring musical mind-twists and old-school dissent.

The flayed, bloody flesh, screeching soundtrack, Gothic sets, and elegantly flapping costumes are all on brand for the visionary director. In the 200 years since Mary Shelley first realized her ...

Block party: Jean Foos’s painted block interacting with the public, 34th Avenue and 79th Street, in Jackson Heights, Queens. Public art has often brought out heated controversy, particularly when ...

Plaster casts of Leonard Nimoy’s head crowded one display table. Life-sized posters of William Shatner striking various heroic poses covered the walls. The air was filled with a cacophony of ...

Who defeated Charles Van Doren? / Which movie won the Oscar for Best Picture in 1955, and why did Herbert Stempel have to pretend that he didn’t know? / What did President Eisenhower call “a terrible ...

With its cheesy boardwalk settings and beatnik ambience — bongo player “Chaino” gets singled out in the credits — writer/director Curtis Harrington’s Night Tide (1961) proves an apt first-time star ...

Gateway drug? Copy of “Junkwaffel” #1, purchased under false pretenses half a century ago. R: Paperback remnant of a stage career cut short. It was sometime in 1974, and I was extremely nervous ...