Walton’s instrumental scoring is waywardly of its time – picked, one assumes, for timbral impression more than blend, it’s ...

Christopher Alden’s surrealist staging of Partenope remains one of ENO’s most stylish and subversive Handel productions.

Inspired by a painting by Ben Edge depicting an ancient Dolmen threatened by a devil, composer and writer Isabella Gellis ...

Jakub Hrůša’s command of Mahler’s complex structure remained formidable, his balancing of sonorities and long lines ...