After the client has settled on the analyst’s couch, the lights are dimmed. Music sets the mood. A wordless vocal is ...
There’s a specific vocabulary that attends the arrival of a new Nick Cave album in the 21st century. Words like redemptive, ...
How easy it is to fall instantly in love with the Dvořák Cello Concerto. And particularly when it is played by an orchestra ...
theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'
Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David ...
But a festival needs to be distinctive, it needs to be unique. Any hint of routine is fatal to its spirit of occasion. The ...
Lyricism wins over discussion: Sebastian Kohlepp (Flamand), Stephen Marsh (Olivier), Peter Rose (La Roche), conductor ...
Saturday afternoon was a melee of young folk, festering in the mire of their GCSE exam results – something the organisers are ...
If you haven’t got tickets, turn yourself into a cockroach.” Every seat for Aurora Orchestra’s Beethoven’s Ninth by ...
I won’t give it loads about the atmosphere and attendees at We Out Here – suffice to say that in its fifth edition, it has ...
The first series of James Graham’s Sherwood, shown in June 2022, introduced us to the Nottinghamshire town of Ashfield, a ...
Miguel Zenón’s Golden City (Miel Music) is an ambitious album. Its ten tracks and a postlude seek to portray “the beauty and ...
And while Òran might open with smiles and camaraderie – with audience members greeted and assigned micro-roles, for example – ...
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