The staggering achievement that is Ben-Hur must be celebrated on its 60th birthday, but there's one major player history hasn't always been kind to. Before John Williams, there was Miklós Rózsa, finds ...
In the 2004 issue of British lit mag Granta, Adam Mars-Jones makes a plea for silence in movies. "Music in films can be as carefully chosen from sequence to sequence as wines to match the courses of a ...
Miklos Rozsa (1907-1995) and Erich Wolfgang Korngold (1897-1957) With film music historian Jon Burlingame and conductor John Mauceri, Donald Macleod explores the lives and music of two composers best ...
Miklos Rozsa's music has been used in countless films and TV programmes, from the spiralling strings of Alfred Hitchcock's Spellbound (1945) to the melodramatic 'Dum de dum dum' sting of Dragnet (1954 ...
The staggering achievement that is Ben-Hur must be celebrated on its 60th birthday, but there's one major player history hasn't always been kind to. Before John Williams, there was Miklós Rózsa, finds ...
The film: When Jewish prince Ben-Hur is betrayed and sent into slavery by a Roman friend, he regains his freedom and comes back for revenge. The score: Miklós Rózsa conducted research into Greek and ...
Miklos RozsaFrom a new release on the Telarc label, music by film composer Miklos Rozsa. Erich Kunzel and the Cincinnati Pops Orchestra play the "Ave Caesar" March from Rozsa's score for Quo Vadis.
The novelist Jonathan Coe explores how a joint concert with Arthur Honegger led to the composer Miklós Rózsa writing for film, including the scores for 'Ben-Hur', 'Spellbound' and 'The Lost Weekend'.
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