EXCLUSIVE: UTA has signed award-winning British-Spanish actress Patsy Ferran for representation in all areas, with plans to help her secure new opportunities across film, television, theatre and more.

Theater lovers undaunted by astronomical ticket prices are flocking to the Brooklyn Academy of Music's Harvey Theater to see Paul Mescal as Stanley Kowalski in the Almeida Theatre Company’s production ...

Paul Mescal, just nominated for an Oscar and a BAFTA for his leading role in the film Aftersun, and best known for his BAFTA winning role in Normal People, Olivier Award winner Patsy Ferran (Summer & ...

Actress Patsy Ferran may be in her late twenties, but she still managed to get asked for ID the other week. "I showed the man at the till my ID and he laughed in my face. He even asked if it was ...

Patsy Ferran was named Best Actress at the Critics’ Circle Theatre Awards for her role as Blanche DuBois in A Streetcar Named Desire. Ferran replaced Lydia Wilson, who withdrew for health reasons, ...

The Almeida Theatre's new season has been announced. Also returning to the theatre will be director Rebecca Frecknall and Patsy Ferran, who reunite following their acclaimed staging of Summer and ...

In a shock twist, Jodie Comer - who has won every major acting prize this season for her heartrending performance in Suzie Miller's Prima Facie - was pipped to the post by Patsy Ferran, whose ...

Tennessee Williams’ Pulitzer Prize winner “A Streetcar Named Desire” is still one of Broadway’s most critically acclaimed plays. Written in 1947 and adapted to the big screen in 1951 in the Academy ...

The play (or, perhaps, the movie) has achieved the ultimate mark of iconic status, its very own parody episode in The Simpsons, so even those who have see neither version of this slice of Southern ...

DOWNTOWN BROOKLYN — Rebecca Frecknall’s take on Tennessee Williams’ “A Streetcar Named Desire” is taking the stage at BAM’s Harvey Theater at 651 Fulton St. Hot off a run on London’s West End, the ...

It is a pleasure to be able to report, therefore, that Rebecca Frecknall’s boldly expressionist production – with its electrifying soundscape – galvanises the audience from the start. Seven upright ...