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How you can use arpeggios to imply dominant 9th chords in your solos (it's easier than it sounds!)
In my last column, we looked at some rhythm and lead approaches to playing over a 12-bar blues progression in the key of A that’s set to a brisk, country-style “train beat” with a swing-16ths feel.
When you think of Oasis’s songwriting approach, you would be forgiven for initially thinking that most of what you hear can be achieved with a few simple chords, and for some Oasis tracks, you will be ...
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